Wednesday, December 19, 2007

Thursday, December 13, 2007

Oprahma For President -- Sandpoint Reader -- 12-13-07


I am ashamed of this comic and, while I admit I created it, disavow it. I will not delete it, as that would be dishonest, but anyone who sees this please know that its creation was misguided.

Thursday, December 6, 2007

Wednesday, November 28, 2007

Thursday, November 8, 2007

Thursday, October 25, 2007

Thursday, October 18, 2007

Thursday, October 11, 2007

Wednesday, October 10, 2007

True Beat Adventures



This page is actually a response to one of the artist's friends. During a trip back to Sandpoint, Idaho, the artist was verbally accosted by "Ethan Shammigan," who accused him of being a sell-out, intellectual coward. Presumably, Mr. Shammigan was suggesting the artist adopt a more "Beat" lifestyle of honest experience. The viewer can readily see the artist's feelings on the "honesty" of that lifestyle. (Additionally, the artist is still wondering how he can be a sell-out and broke at the same time.)

Thursday, September 13, 2007

Thursday, August 30, 2007

Wednesday, August 8, 2007

Thursday, July 19, 2007

The Girls of November -- Sandpoint Reader -- 07-19-07


* Artist's Note: I hate this cartoon. The idea was that while these ludicrous candidates acquire little jaunty women to promote their causes, they're degrading the elective (and democratic) process to a level I didn't know existed. Therefore, I decided to make a physical representation of the 2008 election as a whole; and, of course, she was a dried up prostitute. I don't know if I like the idea, but I do know that I freakin' hate the art. I think I was in a hurry to get to a party or something. I don't know.

Thursday, July 5, 2007

Friday, June 29, 2007

Wednesday, June 20, 2007

Oh no I didn't...



Drawn in early 2007 in the Portland, Oregon area, this piece is pretty self-explanatory.

An amazingly subtle comment on right-wing patriotism.



This was drawn sometime in 2005, and based on the artist's mis-hearing of an NPR program. He was brushing his teeth and half-listening to the radio in another room when he could have sworn he heard someone say "Donkey shit jackass he-haw..." When he put down his toothbrush and moved closer to the set he realized it was actually President George W. Bush. He figured that was enough to do a page on. Which he did. (This was never published anywhere.)

An amazingly subtle comment on the religious right.



This one was drawn sometime in 2004 for an abortive freelance article on the Christian fundamentalist group "Christian Exodus", which was trying to get its followers to move en masse to South Carolina where they would inflitrate state government and turn it into a Christian stronghold. The article was actually written by author Ben Olson (and accompanied by more vulture drawings by me), but was rejected by Mother Jones, The Nation, and Rolling Stone.

Wednesday, February 7, 2007

Max vs. The Water Buffalo



I leaned left around a turn before the second bridge, about halfway back to camp. I didn't see the water buffalo until it was too late. He charged out of the mangroves, the wide arc horns lowering and snout sputtering, his dumb staring eyes glowing in the headlights. I swerved instinctually and missed him by inches, but when I leaned hard the other way to correct, the tires hit a patch of soft earth and I went into a slide.
"Shit shit shiiiiiit!"
I felt it coming... WHAM!
Going about 40 mph, my right knee slammed into a concrete post on the side of the road. I was thrown from the bike. The next moments are hazy memories of tumbling end-over-end in the air -- tree branches and bushes thwack twack -- then sploosh, I sank into the murky swamp water.

-- From Wanderlost, by Ben Olson.

Max vs. The Gel-Hair Pricks


By the time we finally met up with Liz and her friends at the bar next to the Pepsi Center -- Brooklyn's I think it was called -- we were both shit-faced... me cocky and waving my arms at everything, storming around in my Viking helmet and yelling at passersby, and Regan a swerving, stuttering, giggling mess.
We barged into the bar and scanned the tables for Liz's crew, the milling crowd of people halting their conversations mid-sentence, glancing over at me with strange looks. I saw Liz surrounded by a group of clean-looking people with shirts tucked in and shiny shoes, and she waved us over -- a mortified look on her face.
"What the hell are you wearing?" she yelled, ushering us over to the table, where she introduced me to all of her friends. Regan accidentally hugged one of Liz's blond friends I didn't know and howled," Heeey Liz, so nice to finally meet you!" "No, I'm Liz." The women were all mid-twenties professionals and the men wore standard-issue striped shirts with open collars and gel in their faux-hawks, shiny flat-bottom shoes that they must issue everyone under thirty-two who makes over $40k a year. They all looked like a bunch of assholes. Everyone was somewhat taken aback to be shaking hands with a bearded drunk Viking and Regan, whose eyeballs were each pointing a different direction.
"Um, this is my friend Max," Liz told them meekly.
One of the Gel-Hair Pricks tilted his head and upturned his smarmy nose at me. "What are you supposed to be?"
"Drunk," I barked, then turned back to Liz. "You think we have time to order some chicken wings? We'd really love some chicken wings. We're starving."

-- From Wanderlost, by Ben Olson.

Jeremiah Junkyard


... an off-white wood house all dilapidated and sagging with age and sorrow, yellowish water stains on the siding, surrounded by dead aspen trees and a field bejeweled with scrap metal, old trucks, car parts, railroad ties, washing machines, farm equipment, gutted boxcars, and there he is, the junkyard man himself -- exactly like i would picture a guy living in a plot of land like this -- big sloppy belly covered in a grimy green sweatshirt, thick Jeremiah Johnson beard and Davy Jones wool cap -- walking around his junk heap with a small cigar in his fat jowls, piling junk in certain stacks -- there's an order to it! All this time I thought these junkyard hounds just threw shit in piles and let them rot, but now it seems that junkyard man, Jeremiah Junkyard they call him, has a method... oh, to know this method, to hear his thoughts beside Interstate 70 and the cross-country railroad tracks, wedged between the two arteries of long-haulers and living in a world his own -- a man living out on the edge of it all, off the grid, smoking a Backwoods cigar and pondering at a small camp trailer he's been looking at the past few minutes. Spits onto the ground, stamps his feet, wearing old work books, and hitches up his pants with a Civil War-esque light gray stripe running up the vertical side of the leg -- pacing up and down the trailer, checking out the front, the ball hitch, kicking the tires, a yapping dog at his heels, stamps his feet again and kicks at the old scraggy mutt as the conductor puts us into GO and Jeremiah Junkyard, my junkyard prophet, my dirt farmer in the sun, I'll see you again perhaps -- Lord of the Junkyard -- and now he's gone... just a snapshot. My snapshot.

-- From Wanderlost, by Ben Olson.

Ian Flannigan


"Yess!" I heard Flannigan, the wide-eyed, thick-sideburned Irish poet yell from the other end of the booth. He bent over the composition notebook open on the table and scribbled a few words, then threw it over to a group of huddled hipsters talking in the corner: "Write something!"

-- From Wanderlost, by Ben Olson.

Monday, January 1, 2007

Max in Mexico


This is the first time Max Manchester, the anti-hero alter ego of Ben Olson, was ever put on paper. It illustrated his short story "American Standard," which was published in The Ides of Sandpoint literary magazine in 2005.